One of a kind.
Entirely handmade.
MADE IN GROTTAGLIE 🔥
Brillarelli works with a line that does not seem to want to be perfect, but rather human. Often in his works you can perceive the lightness of a “pencil” drawing , a graphite that is never fully completed, but that holds the emotion of the moment . This approach creates a sense of fragility and intimacy in his images, as if they were visions taken from a personal visual diary.
In his works, the flower is never decoration. It is a metaphor for identity, memory and transformation . Stylized, “drained”, imperfect flowers: they are the fragments of an interior garden, the reflection of a beauty that does not want to be held back but let go , like a fading thought.
Despite the apparent spontaneity, each sign is the result of a balance between control and instinctive gesture. In his “Private Garden” vases, the mixed technique of engobes and glazes is linked to an idea of decoration as a spontaneous act , never static. The dripping flower, the smudging line, are part of the truth of the sign.
approx . width: ; depth: ; height:
(Each piece is unique and may differ slightly in size)
TIMES AND SHIPPING COSTS
Shipping costs are indicated both in the table on this page and before check-out, and are calculated on the basis of the place of destination.
Shipments TO ITALY are FREE.
DELIVERY METHODS
Deliveries are made by the Courier SDA , UPS or Bartolini on weekdays, from Monday to Friday, from 9.00 to 18.00.
Unfortunately it is not possible to choose the time or day of delivery, it is therefore advisable to indicate a delivery address where someone is always present.
Once the shipment has been activated, an informative email will be sent with the shipping data and the tracking number to follow the order status.
For particularly large orders, the shipment will be entrusted to a specialized courier.
Simone Brillarelli
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mena fueco
Brillarelli works with a line that doesn't try to be perfect, but rather human. His works often have the lightness of a “pencil” drawing, a graphite that is never fully finished but holds on to the emotion of the moment.
This approach creates a sense of fragility and intimacy in his images, as if they were visions from a personal visual diary. In his works, the flower is never decoration. It is a metaphor for identity, memory and transformation.
Stylised, “dripping”, imperfect flowers: fragments of an inner garden, the reflection of a beauty that doesn't want to be held but let go, like a fading thought.
Despite their apparent spontaneity, every mark is the result of a balance between control and instinctive gesture. In his “Private Garden” vases, the mixed technique of slips and glazes ties in with an idea of decoration as a spontaneous act, never static. The dripping flower, the smudged line, are part of the truth of the mark.
Brillarelli often imagines suspended, timeless spaces: private gardens, deconstructed portraits, textures like graphic fossils. His poetics doesn't describe but evokes, leaving the viewer to complete the image with their own sensitivity.
